Research Inspiration

Vol. 7 No. IV (2022): September
Articles

Theory of Formation of Mixed Ragas in Indian Classical Music: An Analytical Study

EPUB ABSTRACT FULL PAPER
Meena Kumari
Research Scholar, Department of Performing Arts, Himanchal Pradesh University, Simla, (India)
DOI: https://doi.org/10.53724/inspiration/v7n4.03

Published 30-09-2022

Keywords

  • Ranjakta,
  • Shivranjani,
  • Purvi-Paraja,
  • Chhayalga Raga,
  • Charukeshi,
  • Kirbani,
  • Jayanth Malhar
    • ...More
    Less

How to Cite

Meena Kumari. (2022). Theory of Formation of Mixed Ragas in Indian Classical Music: An Analytical Study. Research Inspiration, 7(IV), 07–11. https://doi.org/10.53724/inspiration/v7n4.03
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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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Abstract

The Present Paper Deals with the Theory of Formation of Mixed Ragas. In this article, ragas are formed by the principle of raga formation, by the basis of raga jati, by change in vadi samwadi, by pure chhayalang narrow distinction, by addition raga experimentation, by combination of south ragas, anga, by change in ragang process, by folk music, by gharana system.

EPUB ABSTRACT FULL PAPER

References

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